The Library

Welcome to the Empathy Library search page. Use keywords to search for books and films, or browse the collection using filters (e.g. under Book Type select 'fiction' or under Theme choose 'love' or 'poverty'). Results are automatically ranked by popularity. Join the library to add items, comment and give ratings.

Displaying library items 1 - 10 of 19
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Average: 5 (2 votes)

George Orwell is best known for his fictional works Animal Farm and 1984. But when it comes to his greatest empathic writing, Down and Out in Paris and London ranks as outstanding.

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Average: 5 (2 votes)

Ben Kingsley dons his dhoti (loincloth) in Richard Attenborough’s epic biopic about one of the greatest empathy masters about them all. The film is full of great empathic moments.

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Average: 5 (1 vote)
Think you know homelessness? Think again...  
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5
Average: 5 (1 vote)

George Eliot (Mary Anne Evans) was a great believer in the power of empathy to move her readers. Back when she was writing in the 19th century, empathy was generally known as ‘sympathy’.

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This is a great empathy book because it's about how a woman from a wealthy white family in Memphis, Tennessee takes a troubled black teenager under her wing and gives him the opportunity to get an education and play (American) football at high school.

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Twenty Thousand Streets Under the Sky is the ultimate novel about pubs- the places where many of us spend our twenties, watching people come and go.

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Truth and Beauty is lifted above most memoirs by Ann Patchett’s unselfishness; she is writing a book that tells her own story, but frequently steps aside to offer the full spotlight to her friend, the magical, difficult Lucy Grealy, author of ‘Autobiography of a Face.’ Lucy Grealy, who died at th

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A slim memoir of poverty, abuse, agency and power, this story of a young gay survivor growing up in dirt-poor Carolina is only ninety-four pages long.

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Life doesn’t work out as you planned. This is the central, completely non-judgmental message of Rosamond Lehmann’s tender narrative of an extramarital affair in shabby 30s London.

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Despite the precious title and aura of icky Victoriana, Burnett’s heroine Sara Crewe is actually a feisty little creature with a bit of a temper, fire in her veins and a huge imagination.

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